Clarion Alley

The Mission district in SF is known for its murals. It's a SF sight that I've been intending to visit, but only got around to doing so in the last week. I did an engagement shoot in Balmy Alley which I'll post about later. This is Clarion Alley, off of Mission St between 17th and 18th on the west side. Mission St is a raucous, tumble of people - wafts of all sorts of smells and splashes of color. Step into this surprisingly clean alley, which is in fact, a narrow road through which residents access house garages, and find yourself in a quiet oasis, with long stretches of painted walls and garage doors.

I didn't have time to walk the full length of the alley, as I had made the visit to kill some time while waiting for a school-bus-full of 6 year olds to show up for an after school birthday party and pinata bash.

Your Dose of Cuteness



I'm sorry, I've been MIA. Things have been non-stop... which is good of course. On top of the usual photo stuff, there's more ultimate, and international friends in town, which makes life a fun juggle. Anyways. I'm too tired to think of interesting things to say today.

I thought I'd make it up to you with a cute baby pic.

Busload of Tourists


Dark colored dogs are hard to photograph. To capture the form, one most over expose (ie, let more light in) so that details such as reflection off the black fur can be recorded. However, using that same exposure on light-colored humans means that the humans may be washed out. The easiest way for me to deal with this is to find a happy medium exposure, then to either lighten or darken selected areas in photoshop.


We were spotted by a busload of (Taiwanese?) tourists brandishing cameras. The ladies approached, curious and cautious of the rottie. Gwai? Gwai? they asked me in Mandarin (Taiwanese?) - I assume, because I look Chinese. Fortunately this sounds almost the same as Cantonese Gwai which means Well-Behaved/Sweet-Natured. So I assured them Ho Gwai, ie, Really Gwai. Next thing we knew, they were lining up to have their photo taken with him, and flurry of camera swapping ensued. Don't the ladies look happy? I suppose if I went to another country and saw a cute dog of a breed I didn't usually see in the US, I'd want a pic taken with it too. This rottie was a good sport about the whole thing.

I helped this lady take her photo, and then she scrolled through her camera to share with me a picture of her own dog, a white fluffy lap dog, Maltese or Shih tzu. Fantastic, that our common thread should be a love of dogs.

Equipment Geeking and A Most Memorable Interruption


SFSU College of Health & Human Services, Dept of Health Education Graduation / Ceremony for both Bachelors and Masters students. In the last few days I'd become a bit stressed out thinking about photographing this, as it is indoors, and I would need to use flash continuously. And, there would be no room for flash error! The students would be called one after another to receive their scroll, an be photographed. I already know my Canon 430EX drinks batteries and can take up to 10 seconds to recycle (ie, be ready to flash again); longer when batteries are not fresh.

I asked my favorite camera rental equipment about battery packs. I'd seen these before, flash with a coiled phone cord-like cord, plugged into a rectangular box about the size and weight of my 2 TB external HD. See one of these set ups and one thinks, now that's a pro! They recommended the Quantum Turbo 2x2 Battery, which unfortunately is incompatible with 430EX. Thus, I rented both the 2x2 and Canon 580EX (massive flash upgrade). $35 for both, for a day at Procamera Rental.

TOTALLY worth it and COMPLETELY necessary. Almost 70 students, bang bang bang received scrolls and posed for 3 seconds with the dept chair. Student turn over time of 10 seconds or less. For each I took 2 photos in rapid succession, and the flash was ready for the next. The concentration of stress per minute was far higher than any wedding.  Two chances in 3 seconds to capture arguably the First Major Accomplishment in these people's lives.

Enough equipment talk. The woman above, Maya, was selected by her peers to give an Address to the Graduating Class. A very dynamic, passionate speaker, she spoke of the historical social foundations that our city stands on (LGBT movement, Harvey Milk; first openly gay man elected to public office), yet the challenges we still face (the CA ban of same-sex marriage, the Arizona anti-immigration law), and how as health education grads they have responsibility and power to make progress and -

What does this have to do with graduation? An accented man's voice called out from the otherwise rapt audience. And then something along the lines of: Why don't you get on with it? Not all of us believe the same beliefs as you do.

Stunned silence. The rudeness of it, the ignorance, the impatience, the utter lack of respect for a woman the students and faculty obviously held in high regard. He might have added more comments, but I was too shocked to listen; all I heard were some other students yelling at the man to Sit Down! Maya handled the situation admirably, thanking him for sharing but pointing out that it was her time to speak.

During the reception after the ceremony, I chatted with Maya's partner. We realized, that the outspoken man had accomplished exactly what he didn't want to do, which was to make Maya's words even More Powerful, cause More Discussion and Thought about her words, to make her speech all the More Memorable. One couldn't have planted a better interrupter! How ironic.

And who was this man? A relative or father of a student, I'm assuming. Should I bother to tell you his ethnicity, or likely religious belief? Does it make it a different story if you did know? Hmm.

On Encouraging Comfortableness

"People tend to freeze up so much when the camera is pointed at them, but in your photos they're really expressive. How do you get them to feel so comfortable with being photographed?" asked my new friend, a San Francisco videographer http://vimeo.com/fennykuo.


I thought this would make a nice blog topic. Well, when it comes to baby photos, babies aren't self conscious yet. Their happy expressions are a optimal combination of: Full Belly, Clean Diaper, Post Nap, Silly Parent Faces and Fun Noises. I do join in the antics, but I'm afraid I must credit parents for the best baby smiles. On my end, it's all in the timing.


Tots are similarly not self conscious. But they are often incredibly suspicious of me. I get incredulous looks from tots. I frequently sing songs for tots, make animal sounds, and in one unique case, I've quacked to an anonymous duck on a cell phone. I think once tots see that I am a silly harmless person, they are less shy. Same with kids, except the silliness is more verbal, such as asking: Do you see a dinosaur in the trees behind me? Is there a bird on my head? Or asking names of stuffed animals and such, or suggesting: Why don't you give Daddy a bear hug? Do some jumping jacks and I'll take jumping jack pictures! In short, with kids, it's making the shoot fun on a kid level.

Grown-ups. My first contact is most often via email. I try to project friendliness and openness through my introductory emails - every first email is personally written; not some form in which I switch out names. I'm pretty sure potential clients can tell (I can tell when the photo request is a form email, sent out to several photographers). I keep my writing style as informal as possible without being unprofessional.

Upon meeting, Adults are the hardest to get to relax. They've spent decades accustomed to posing for pictures, and are well aware of how they look in photos, have high levels of self-consciousness. Often parents with babies are quite happy to be silly with their children and pets. In this case, I have babies/ kids/ dogs to thank for making adults smile.



When it's just grown-ups on their own, photo personalities vary from Identical Facial Expression With Frozen Smile In Every Photo no matter the camera angle, to Um I'm Still Here You Can Stop Smooching Now. Most of course, fall somewhere in between (though more often, men fall into the former extreme than women). I try to converse, more than just weather small talk. Find some commonalities - for instance, a man for whom I did head shots was happily surprised to learn that I too play ultimate, and another that I am a UMich alumni. For others the similarity is growing up in Asia, having a dog, enjoying craft fairs, or liking my mod patterned rubber boots (Kamiks, they're awesome for San Francisco weather!)  Finding commonalities makes everyone feel more comfortable. Maybe that's obvious for friendships, but it's good for photog-client relationships too.

I enjoy opportunities to joke and laugh at embarrassing situations, like when I accidentally leave my lens cap on, stumble over stuff while backing up, wind up standing in the ocean when a wave comes up the beach unexpectedly, crouch in uncomfortable positions for a shot, get licked on the teeth when the family dog sneaks into the room and I'm peering through my camera, or when my ill-fitting flash diffuser is flung across the room and rolls under a credenza (yes all of this has happens, perhaps even regularly). In short, I think that My being comfortable relaxes my clients. Photo shoots are Not Stuffy with tightly controlled direction on my part, with piles of expensive equipment on tripods that your kids could knock over. Much of the nervousness comes from such preconceptions. Getting clients to forget about ideas of what a shoot is Supposed To Be Like - and instead, Having FUN, is reflected in the candidness of the photos I take.

If all this fails I say: Do you have a cat / dog? Think of him / her.

(Mode Change) Cute kid and babies! This was a mother's day special, a series of mini-shoots for a mother's play group. They're smiling because of their moms, of course.

Garden Lovey Dovey


Wedding portraits are my favorite part of wedding photography. It's the only opportunity where I'm guaranteed to have artistic control. The rest of the wedding event - where the ceremony takes place etc etc, is out of my hands and I have to optimize as best I can. Portraits however, I can suggest poses, locations, choose my lighting - it's fun! And the editing is fun too. I can try out various effects, of which you can see the results of here. I do provide un-effects-applied color photos too, or B&Ws. Just so happens that I feel like sharing these.

These were taken pre-ceremony, which I think works better than squeezing a portrait session in post ceremony, before dinner, etc. It feels less hurried. One doesn't have family and friends to tend to. No entourage of guests, also trying to take photos. Time isn't passing by full throttle. Anyways, here we are, at the San Mateo Central Park Japanese Tea Garden.


I Miss Sunny Days

I think long, jersey knit maxi dresses are excellent for maternity shoots. There is something very Goddess-like about them. And in a bold color - all the better!

I used a bit of fill flash in this picture. Otherwise the shading on the right side of her body would be much darker, due to the strong direct light from the afternoon sun. Alternatively, f I had an assistant, I could have him/her hold a large reflector (large flat board in white or silver or gold) to the far right, so that the sunlight would bounce back to the mom-to-be and similarly fill in some of the shadow. But I don't.

The marine layer, well known as the San Francisco fog, has started creeping in, and is causing postponement of all my Baker Beach (as seen above) shoots. The fog also covers most of Golden Gate Park, Crissy Field and the Palace of Fine Arts, which are also popular shoot locations. It depends on my clients; for some they accept it as a part of SF life and should the shoot be on a cloudy day it is an accurate reflection of living here. Others' moods are strongly affected by gray days and if that is the case, I recommend postponing.

Thinking About Vignettes


Vignettes: elements of a composition that frame the subject, usually in a oval-ish shape. Effective vignettes should point your eye to the most important part of the pic. If your background doesn't have a natural vignette, one can throw in a shadow vignette in photoshop, like that to the left. The edges fade to dark or light (see example of a light fade in a previous post, the sunshiney pics).

There are different levels of shadow vignettes: the fade can be sudden or gradual, the edge may be black or just slightly darker, the fade might start from the middle or closer to the edge of the photo, the fade may be oval in shape or irregular. Vignettes should be tailored to the photo. What make me cringe is seeing vignettes that have been applied willy-nilly, regardless of composition and subject. Like any edit, whether it's B&W conversion, color enhancement, sharpening or grainifying - ideally, these things should be selectively applied to contribute to the meaning of the picture. In terms of portraits, I think shadow vignettes are good for private/thoughtful moments, relatively closely cropped pics, in B&W. 

Then there are compositional vignettes, created at the time of photo-taking. One searches out environmental features (whether it be architectural, natural, lighting etc) that frame the subject. More obvious vignettes is to place the subject under an archway or in a doorway. To the right, we have a natural vignette, a frame of tree trunks and branches. A generous foreground of grass balances out the heftiness of the trees. The jumble of branches to the left is a little distracting - so not the perfect set up, but I think one's eye will linger longest on the couple.

On Getting Specs


Hello Little One! Some of you may know this baby's parents. Big Hint: the parents play floor hockey in San Diego.

May is proceeding more hunkidorily than expected. Photoshoots scheduled at a manageable rate, time to work on my editing and ponder additions to my equipment collection.

What more could I want? I am considering a portable backdrop stand with telescoping legs and cross bar, from which I can hang all manner of fabrics, instead of hunting around people's homes for clip-friendly ledges near the ceiling. There's that and well, a new camera body, the 5D. When I study other photographer's photos and I see a picture that I think is fantastic, I check the specs on the picture and it's often taken on a Canon 5D.

How to check the specs? Oh this is very useful. Just pull the pic off the net and put it on your desktop. Borrowing. You're Borrowing the photo. Then (Macs) hit "Command I" for information. A window will appear with info such as camera body, focal length, FNumber, Exposure Time. If you open the image in Preview (Mac users) and hit "Command I" again, and go to the Exif tab (What is Exif? I don't know) and you'll find info on exactly what lens was used, white balance, metering mode, whether flash was used or not etc. It's one way to teach oneself about how to take a good photo - see what others have done to achieve the look you like. Some pro photogs will disassociate or lock this info on their posted pic and so the info sections might be blank, or some sites prevent pics from being pulled, like my website. Of course, there's no info on photoshopping technique, and for me - PS is a huge part of the process.
OK, now delete the photo.

Garden Tickles


Missed Mother's Day by 22 minutes! Happy Belated Mother's Day. It's just as well, I had this photo of a Dad that I wanted to post. If only all parents were un-self-conscious about being silly with their kids!

Sunshiney Days

Happy May everyone! I am enjoying the sunshine. The SF Winter In The Summer will set in before we know it, and kids will need to be bundled up for outdoor photo shoots, and we will be plagued by fog. I've had to do many sunshine shoots recently, which is for fine tuning my sunshiny lighting technique. Basically, I need to use flash. Counter-intuitive, huh?

Even if I find a shady spot to shoot, the location might very well be back lit by grass that isn't shaded. The result if I let my camera do the thinking is an over exposed (very bright, almost white) blare of background and a cool blue shaded figure in the foreground. The flash (with diffuser) evens things out: the shutter doesn't have to be open as long to capture the figure in the foreground, and thus the background isn't blown out. Not too much flash is needed; I usually set my 430EX at -1/3 power or so. Don't want to get rid of all form (by filling in all the shadows with light).

In the Tenderloin

The Tenderloin - notorious for being one of SF's most unsavory neighborhoods. I signed up to do some Pro Bono work for Hands On the Bay Area (HOBA), which organizes volunteer opportunities for people (individuals, schools, businesses, etc). Today was Levi's & Co.'s Community Day, and Levi's sent its employees out around the city via HOBA to do some good.

I toured four of these projects. They were randomly assigned. To be honest, I was hoping for the Dog Washing assignment, but it didn't happen. I might go beg to photograph dog washing (I'm guessing at a rescue org) if ever it happens again, by any volunteer group. Anyways, my projects were all based in the Tenderloin. As well as being a sketchy place at night, it is also filled with non-profits, and interesting ethnic food joints. There were some blocks I didn't like the look of even on a bright sunshiney morning, and I avoided walking by those. Amazing how one block can be completely different from the one adjacent.

I started at the Hamilton Family Center, who provide shelter and programs to homeless. Here, Levi's volunteers were scrubbing down the walls. Next, over to Compass Community Services - Childcare Center, providing kid care for homeless/low income families. The rooftop playground was being cleaned, repainted, planted with flowers.

Project Open Hand is a massive kitchen providing meals to elderly and others in need. The either give out groceries to be delivered or picked up, or frozen meals. A massive massive undertaking. Food arrived in warehouse sized quantities, forklifted here and there. The volunteers had to divvy up crates of yogurt and string cheese, and bag up potatoes into manageable proportions. In the kitchen area, where I had to wear a hairnet for perhaps the second time in my life (I cannot remember the first, but there was something unpleasantly familiar about it), volunteers were making a gazillion meatballs. OK. Almost 2000 meatballs. For dinner.

Lastly, over to Shanti, which provides support to people with cancer, HIV and other such life-scary illnesses. A room was repainted, surfaces scrubbed, office furniture rearranged.

While I did not photograph any dog washing, it was a learning experience. Tenderloin streets may not be the funnest place to hang out, but there's a lot of people working to improve lives behind the building facades.

Arms Are Done.


My arms are going to fall off. Somewhere around hour 12 out of 14 hours of shooting this weekend, my right arm said: OK, that's it, I'm not holding this camera any more. Managed to ignore my nagging arms, and made it to taking this photo, the third to last pic I took today.

I started the day at the Shakespeare Garden in Golden Gate Park. A lovely morning with parents and a tot. Came home for lunch (asiago melt on toast topped with veggi pastrami and sauteed chard with shallot), then headed out to Urban Playground (indoor play area) for one year old lunchtime birthday party. Next, drove down to Daly City to set up an in home maternity shoot studio, then caravanned with the couple out to Baker Beach for part two of the shoot. At 6:30pm, met with the last family of the day at the Windmill at GGP, and wandered over to Pacific Beach for sunset. Bright sun, shade, indoor flash, indoor studio lights and sunset lighting - ran the whole gamut in one day.

The hardest weekend this year thus far is done with, yea!! Do I get weekend tomorrow? Nope not yet - must return my rental lens and have a City Hall wedding followed by wedding portraits in GGP.

You Guessed It: Nothing To Do With Jellies


Post-Wedding. Whew!! Sore hands, tired back, very happy to be sitting, in comfy clothes. I took 1,710 photos over about 8 hours. Uploaded onto computer, and currently backing up on external hard drive. I actually had bad dreams about photography last night - first, that I had showed up in jeans and was mortified to find myself under-dressed at the wedding, and then that my camera had simply stopped working. The worst real nightmare would be to come home and find that all memory cards were corrupted or something. But, the only snafu was that I found myself at a bad bad angle when the rings were going on. I remembered later that often wedding photogs will ask couples to reinact the ring exchange, because how often does one have a perfect angle to get those details? Oh well. Then there's always that random uncle who wants to take all the group shots with his own camera, and tries to take the photo at the same time as me, confusing everyone as to which camera to look at.

Wedding photography is Hard. With portrait photography, I have a say in venues and locations within venues where lighting is good, and I can take my time in optimizing settings. Wedding photography - stuff happens anywhere and everywhere, unpredictable timing and lighting and I don't even necessarily know which direction anyone will be facing. I could sit down thankfully for a water break and then find everyone banging on their glasses for the bride and groom to kiss way across on the other side of the room. I just shoot shoot shoot and hope that I can deal with issues of white balance, brightness, composition etc in photoshop.

Nothing to do with Grass Lolling

But I felt like posting this picture, because it looks so carefree, and I am trying to cancel out the Non-Carefree feelings I have at the moment. I am shooting a wedding tomorrow, and then four shoots on Sunday. The actual experience of doing marathon shoot weekends isn't bad at all - adrenaline is high, time passes really fast, and I feel productive, but in the days leading up to such weekends I feel a bit anxious - need to empty all my memory cards, make space on my computer (lots of space, like 15 GB of space), pick up lens rental, make mental packing lists (chargers? extra batteries for camera and flash? energy snacks? water bottles? phone numbers and name lists for all clients? iphone with pre-entered venue addresses? clothing layers? portable foot stool for height?) And, focus on not getting sick. That means teaching kids minimally, eating well and sleeping lots.

And then there's the Plan Of Attack for wedding shooting, which I type out as a spreadsheet for myself and my photog assistant/trainee/second shooter. Time, What is Happening, Where, Who is responsible for Shooting What. The most complex part is the wedding ceremony, where many things need to be captured at once: Close Ups of bride's first appearance, groom's expression while watching bride walk down aisle, family expressions, the wide angle of Entire wedding party up front waiting for bride, all guests standing, preferably from front and back of aisle. There are added What If mini-stress sources, such as backlighting (I think the ceremony will take place in front of a window - Argh!), lighting in general (indoors), space to run around the sides of the seating area. Of course, I can deal with all of this on the go without much issue; every shoot I do is a new lighting situation. I think my brain just likes to be prepared as much as possible.

Grass Lolling

Finally! The grass is dry enough to frolic on without getting muddied or damp knees. This young lady was all too happy to roll and loll on the lawn with her brother. Meanwhile, I too was on my belly, propped on elbows. It occurs to me now that she may have been mirroring me.


Wow, here we are coasting out of April and into May. I am bracing myself for my busiest month since pre-winter holiday days - May will be full time photography.

All You Need Are Treats

Three dogs, all looking at the camera? What are the chances of this!? Quite high, when there are treats involved.

Meet Owl and Tiger and Please Don't Cry

I made puppets for my nephew. I aimed for bright contrasty colors, which I figured are more alluring to little ones. At first meeting, I think Owl and Tiger freaked my nephew out. Maybe after 15 seconds of my growling and hooting, he decided to cry. Well, it was night time after all, and these 2 aren't in pastel colors nor do they have typical baby cuteness faces. The next day was better.

Yes, they do have oven mitt qualities, except they aren't heat proof and might very well melt should you use them to remove a casserole from the oven. The fabric is like a thin waled upholstery corduroy-like material that I picked up at a fabric scrap place called SCRAP (Scrounger's Center for Reusable Art Parts - Scrounger, that's me!). The felt is from a Japanese Dollar store called Daiso. Daiso is one of those stores where you wind up buying all sorts of stuff you didn't know you needed, like miniature wooden easels, ceramic plant pots shaped like pudgy animals, comb/razor blade combo for hair layering, wooden dry spaghetti bunch measurer (yes I did purchase all these items).  I spotted the craft felt, immediately recognized its potential. I knew that it had a place in my stash of art supplies, and that its time would come to shine.

I realize, I should make more such puppets for my own benefit, for getting kids to look at the camera. The huge advantage is that I can wave with the puppet, but then keep wearing the puppet like a glove as I adjust or steady my camera. This is unlike other toys, which I have to put down; or a really fluffy/ stuffed animal puppet through which I would have minimal dexterity. These are also easy to stuff into camera bags.

Tangents, Loosely Related by Quote of the Day

Here is another Randall Museum Bug Day craft project: dragonfly clips!

Completely unrelated to the Randall Museum, Dragonflies or Crafts (but related to girls in grade school) - I joined an organization called Girls On The Run as a Running Buddy. GOTR has chapters around the US, and girls aged 8-12ish join for 2 meetings a week, during which they learn to be self confident, to enjoy exercise and eating well - basically an Empowerment program for girls. The grand finale of the program is to run a 5k, and each girl is accompanied by a Running Buddy, who cheers them on. So, today was practice 5k day, and the meeting of Girl and Buddy for the first time.

We mostly walked the 5k - three loops of Stowe Lake. At the start line, all girls sprinted for about 30 yards, and then alternated walking and jogging. I chatted with my running partner to help her forget about tiredness and hotness. I had to think back to what 4th graders cared about, so I asked her: what's your favorite school subject? And she said: "Art. Because even if you mess up, it's still Art."

I'm sure she didn't realize what a profound thing she'd just said, but it is so true. I have so often thought about how it's not a question of whether something is called Art or not, but rather, whether it is Good Art or Bad Art, because yes, everything and anything can be called art. It's not like being a professional Scientist - one can assume a Scientist has passed various stages of rigorous testing to be where they are. But "Artist" - anyone can label oneself an Artist.

Oh. I just remembered, while in Art school, mentoring Art Students, some art undergrads considered themselves "Scientists", for being interested in things to do with science (words like" Genetics, Nanotechnology, Mutation, Chimera" were alluring, apparently). They'd never taken a science class, nor designed an experiment, or put together a hypothesis, but liked the pop culture idea of Science and thus called themselves Scientists, not knowing any better.

Fun Marine Textures


There are times when my head becomes bleary from baby edits. Yes yes, babies are very cute and all, but sometimes I need editing refreshment. For a pick-me-up treat, I turn to my a supply of Non-Baby-Related Stuff I Photographed But Didn't Have Time To Edit. I already did the funnest photos of course, the Monterey Bay jellies. Not jellyfish, mind you, the aquarium world is trying to stop misleading people and call them jellies... and while we're on the subject - sea stars, not starfish - who went around naming everything this fish that fish anyways? I don't know what the verdict is on sea slug vs sea cucumber. Both are inaccurate, but perhaps slug is closer, the cucumber being a vegetable. Were you wondering? Sea slugs are not wormy or sluggy at all. They're actually related to sea stars - the both have radial symmetry, most often five point symmetry. Sand dollars, sea urchins too. They're all Echinoderms. Got that? Now you can be a marine animal geek at social events.


Time is a-flying by, and it is almost May. May appears to be a popular month - already more bookings than April, and May hasn't even begun. I wonder if after a few years of this, more predictable patterns of busy-ness will emerge. Come back in a few years to this blog and I will post a graph of busy-ness data.